Djo, whose real name is Joe Keery, released his third studio album “The Crux” April 4. Three singles preceded the album — “Basic Being Basic,” “Delete Ya” and “Potion” — building anticipation among fans.
Years before he released music, Keery famously starred in Netflix’s “Stranger Things” as Steve Harrington*.* The vintage sci-fi aesthetic of the show fits closely with the retro-rock of his music releases, but their messages could not be more different.
Throughout his music, Keery explores themes like the blinding spotlight of fame and navigating adulthood. His hazy 2019 release “Twenty Twenty” and electric 2022 release “Decide” foreshadow the musical sophistication that characterizes “The Crux.”
While both albums contain a similar experimental sound, defined by groovy beats and fuzzy vocals, “The Crux” combines these factors with Beatlesque finger-plucked guitar and drum solos reminiscent of alternative ‘90s bands. The inspiration is clear, but Keery turns these essential rock characteristics into a modern sound.
The album opens with an intimate synth like the beginning of a cozy video game, preparing the listener for the world of “The Crux.” The slow tempo builds as Keery sings, “Is it all the same? / That I’m not giving up / Tale as old as time / You’re not quick enough.” Through these lyrics, he reflects on expectations of success at a young age, a common feeling for many 20-somethings.
Djo’s lyrics are half-spoken, half-sung, like a rockstar from another era. This inspiration is explicit in his mention, “Freddie said it right, ‘cause she’s my killer queen.” The lyric, from “Gap Toothed Smile,” embodies the inspiration for not only the song but the album. “The Crux” stands as a modern homage to rock musicians from the genre’s prime. Fleetwood Mac, The Beatles, Pink Floyd and, of course, Queen, resonate deeply with the work.
“Potions,” a cheerful rock ballad, blends a finger-plucked melody with wispy vocals to create an “Abbey Road” ambience. The bright sound masks the desperate yearning the lyrics imply. In a soft airy voice, Keery sings, “Glitz and glamour doesn’t age like wine does / I, I, I, I’m countin’ on love.” His resentment towards his young fame resounds throughout the record and the rest of his discography as well. Keery’s hypnotic harmonies and soft percussion supplement the sunny melody.
Confessional and introspective, “Egg” contemplates regret and existentialism over a punchy intensifying rhythm. The build reaches a crescendo, both sonically and lyrically, with the bridge: “But deep down inside, there’s always that fear / That I’m not enough, I seem cavalier / But it’s all an act, I’m cold ’cause I’m weak / And deep down inside, there’s nothing unique.” The dark, cynical lyrics reflect the edgy, dramatic tempo.
For all the “Stranger Things” fans, Djo includes a message from co-star Charlie Heaton in “Charlie’s Garden.” He sings about escaping his work problems in the garden where he can relax. He also mentions Heaton in the single “Delete Ya” singing, “Blue and gold Friday night / Team up with Charlie, take these kids for a ride.” The “kids” might be a reference to their younger co-stars in the “Stranger Things” cast.
The album finishes with the titular song, “The Crux.” The song serves as a thesis to the entire work. The steady piano and rolling drum beats echo the sentiments stated earlier in the album. Keery sings, “Let it be what it is / Lеt it out from inside you / Get it back to your heart.” He encourages the listener to listen to their heart over all else.
